Miró's oft-quoted interest during the assassination of painting is derived from a dislike of bourgeois art, which he considered was employed as a way to promote propaganda and cultural id among the the wealthy. Specially, Miró responded to Cubism in this manner, which by the point of his estimate experienced https://socialdosa.com/story8819548/museu-nacional-d-art-de-catalunya-no-further-a-mystery